12:00
13:00
14:00
15:00
16:00
17:00
13:00 - 13:15 (15min)
WELCOME & INTRODUCTORY REMARKS
Rainier Lanselle and Marie Bizais-Lillig
13:15 - 15:30 (2h15)
DIVERSITY AND AMBIGUITY OF TEXT ILLUSTRATION
› Illustration by Command: The Overhaul of Xiao Yuncong's (1596-1673) Lisao with Illustrations Under the Qing Emperor Qianlong
- Michael Schimmelpfennig, Australian National University, School of Culture, History, and Language
13:15-14:00 (45min)
› Illustration as Commentary: Chen Shizeng (1876-1923)'s Innovation in Painted Poetry in 1912
- Zi Wang, Beijing Foreign Studies University, University of Edinburgh
14:00-14:45 (45min)
› Qing Illustrations of Li Yu's Drama
- Jing Shen, Eckerd College
14:45-15:30 (45min)
15:30 - 15:45 (15min)
Coffee break
15:45 - 17:15 (1h30)
VISUAL SYSTEMS OF NARRATIVE COMMENTARY
› Tuibei tu (推背圖), the Chinese Tarot : Illustrations and Political Prophecy in Late Imperial China
- Qijun Zheng, École pratique des hautes études
15:45-16:30 (45min)
› Min Qiji's “Visual Commentary” of the Romance of the West Chamber and the Late-Ming Commentarial Culture
- Zhuolun Xie, Princeton University
16:30-17:15 (45min)
13:00 - 15:15 (2h15)
CONTEXTUALITY AND TEXT ENRICHMENT
› Recontextualizing Ming Dynasty Calligraphy: The Symbiotic Dynamics of Text and Illustration
- Sarah Ng, Department of Chemistry, The University of Hong Kong
13:00-13:45 (45min)
› A Ming Manuscript of the Diamond Sutra: Illustrating Ritual and Miracles under Imperial Patronage
- Cedric Laurent, Université Rennes 2
13:45-14:30 (45min)
› Erotic Gardens Running Wild: The Intertextual and Intervisual Relationships between Jin Ping Mei and Su'e Pian
- Peng Liu, Rutgers, The State University of New Jersey [New Brunswick]
14:30-15:15 (45min)
15:15 - 15:30 (15min)
Coffee break
15:30 - 17:00 (1h30)
VISUALIZING BEYOND NARRATION
› Appropriating the Sanctified in a Secular Narrative: Religious Motifs as Visual Commentaries in the Illustrations of the Late Ming Novel Yichun Xiangzhi
- Dankun ZHAO, Southeast University
15:30-16:15 (45min)
› Pictorial Self-Representations of a Nineteenth-Century Manchu: Transcultural Study of the Geese Tracks on the Snow
- Yuting ZHANG, School of Oriental and African Studies
16:15-17:00 (45min)
12:30 - 14:45 (2h15)
THE INTERSEMIOTIC DISTANCE
› Qin Zither Repertoire from Lyrics to Tablatures: Musical Intersemioticism and Performance-oriented Commentaries in Pre-modern China
- Simon Debierre, École pratique des hautes études, Université d'Artois
12:30-13:15 (45min)
› Hermeneutics of the Shijing 詩經: between analogy and narratives
- Marie Bizais-Lillig, Université de Strasbourg
13:15-14:00 (45min)
› Rewriting history as storytelling: official life and its image in fictions of the Ming-Qing transition
- Rainier Lanselle, CRCAO, Ecole Pratique des Hautes Etudes (EPHE-PSL)
14:00-14:45 (45min)
14:45 - 15:00 (15min)
Coffee break
15:00 - 16:30 (1h30)
ILLUSTRATION AND KNOWLEDGE-BUILDING
› Depicting a Lost Land: Jia Dan's Textual and Illustrated Records of the Northwestern Frontier in the Late Tang Dynasty
- RUILIN CHEN, PhD, Peking University; International Scholar, KU Leuven
15:00-15:45 (45min)
› Writing (State)craft with Illustrations: A Case Study of Agronomy Handbook Binfeng Guangyi
- Yin Cai, University of Chicago
15:45-16:30 (45min)
16:35 - 17:35 (1h)
FINAL DISCUSSION & BEYOND
