Program
Wednesday, November 20, 2024
| Time |
Event |
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13:00 - 13:15
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WELCOME & INTRODUCTORY REMARKS - Rainier Lanselle and Marie Bizais-Lillig |
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13:15 - 15:30
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DIVERSITY AND AMBIGUITY OF TEXT ILLUSTRATION |
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13:15 - 14:00 |
› Illustration by Command: The Overhaul of Xiao Yuncong's (1596-1673) Lisao with Illustrations Under the Qing Emperor Qianlong - Michael Schimmelpfennig, Australian National University, School of Culture, History, and Language |
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14:00 - 14:45 |
› Illustration as Commentary: Chen Shizeng (1876-1923)'s Innovation in Painted Poetry in 1912 - Zi Wang, Beijing Foreign Studies University, University of Edinburgh |
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14:45 - 15:30 |
› Qing Illustrations of Li Yu's Drama - Jing Shen, Eckerd College |
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15:30 - 15:45
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Coffee break |
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15:45 - 17:15
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VISUAL SYSTEMS OF NARRATIVE COMMENTARY |
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15:45 - 16:30 |
› Tuibei tu (推背圖), the Chinese Tarot : Illustrations and Political Prophecy in Late Imperial China - Qijun Zheng, École pratique des hautes études |
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16:30 - 17:15 |
› Min Qiji's “Visual Commentary” of the Romance of the West Chamber and the Late-Ming Commentarial Culture - Zhuolun Xie, Princeton University |
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Thursday, November 21, 2024
| Time |
Event |
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13:00 - 15:15
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CONTEXTUALITY AND TEXT ENRICHMENT |
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13:00 - 13:45 |
› Recontextualizing Ming Dynasty Calligraphy: The Symbiotic Dynamics of Text and Illustration - Sarah Ng, Department of Chemistry, The University of Hong Kong |
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13:45 - 14:30 |
› A Ming Manuscript of the Diamond Sutra: Illustrating Ritual and Miracles under Imperial Patronage - Cedric Laurent, Université Rennes 2 |
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14:30 - 15:15 |
› Erotic Gardens Running Wild: The Intertextual and Intervisual Relationships between Jin Ping Mei and Su'e Pian - Peng Liu, Rutgers, The State University of New Jersey [New Brunswick] |
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15:15 - 15:30
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Coffee break |
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15:30 - 17:00
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VISUALIZING BEYOND NARRATION |
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15:30 - 16:15 |
› Appropriating the Sanctified in a Secular Narrative: Religious Motifs as Visual Commentaries in the Illustrations of the Late Ming Novel Yichun Xiangzhi - Dankun ZHAO, Southeast University |
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16:15 - 17:00 |
› Pictorial Self-Representations of a Nineteenth-Century Manchu: Transcultural Study of the Geese Tracks on the Snow - Yuting ZHANG, School of Oriental and African Studies |
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Friday, November 22, 2024
| Time |
Event |
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12:30 - 14:45
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THE INTERSEMIOTIC DISTANCE |
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12:30 - 13:15 |
› Qin Zither Repertoire from Lyrics to Tablatures: Musical Intersemioticism and Performance-oriented Commentaries in Pre-modern China - Simon Debierre, École pratique des hautes études, Université d'Artois |
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13:15 - 14:00 |
› Hermeneutics of the Shijing 詩經: between analogy and narratives - Marie Bizais-Lillig, Université de Strasbourg |
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14:00 - 14:45 |
› Rewriting history as storytelling: official life and its image in fictions of the Ming-Qing transition - Rainier Lanselle, CRCAO, Ecole Pratique des Hautes Etudes (EPHE-PSL) |
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14:45 - 15:00
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Coffee break |
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15:00 - 16:30
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ILLUSTRATION AND KNOWLEDGE-BUILDING |
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15:00 - 15:45 |
› Depicting a Lost Land: Jia Dan's Textual and Illustrated Records of the Northwestern Frontier in the Late Tang Dynasty - RUILIN CHEN, PhD, Peking University; International Scholar, KU Leuven |
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15:45 - 16:30 |
› Writing (State)craft with Illustrations: A Case Study of Agronomy Handbook Binfeng Guangyi - Yin Cai, University of Chicago |
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16:35 - 17:35
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FINAL DISCUSSION & BEYOND |
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